Get one of the world’s finest digital film cameras with a beautiful design that features a machined aluminum chassis, interchangeable optics using EF compatible lens mount, high resolution 2.5K sensor, 13 stops of dynamic range and 12-bit RAW uncompressed and compressed ProRes and DNxHD file formats! Includes sun shield, power supply, carry strap, UltraScope waveform monitoring software and a full version of DaVinci Resolve Software for Mac OS X and Windows.
Effective Sensor Resolution
2400 x 1350
Effective Sensor Size
15.81mm x 8.88mm
12-bit RAW files recorded at 2400 x 1350
2.5K RAW at 2400 x 1350. ProRes and DNxHD at 1920 x 1080
HD 1080p23.98, 24, 25, 29.97, 30.
Focus peaking and auto focus.
Iris button automatically adjusts the lens iris settings so no pixel is clipped.
EF and ZE mount compatible with electronic iris control.
5" and 800 x 480 resolution
Integrated LCD capacitive touchscreen
Automatic camera data and user data such as shot number, filenames and keywords
Onscreen touch menus and physical buttons for recording and transport control
Integrated mono microphone
Integrated mono speaker
3 x 1/4"-20 UNC thread mounting points on top of camera.
1 x 1/4"-20 UNC thread tripod mount with locator pin.
Integrated Lithium-ion Polymer rechargeable battery.
12V-30V DC port for external battery power or use included 12V AC adapter.
Approximately 90 minutes
Battery Charge Time
Approximately 2 hours when not in use.
Removable 2.5” SSD
Mac OS Extended or exFAT format. SSDs can be formatted in camera, or on any Mac or Windows computer. Formatting in camera recommended.
Approximately 3 MB/frame in Lossless compressed RAW 2.5K fits about 40 minutes of 24p video on a 256 GB solid state disk. Compressed HD formats fit more than 3.5 times the amount of RAW video.
Lossless compressed 2.5K CinemaDNG RAW with film dynamic range at 2400x1350. Apple ProRes 422 (HQ), ProRes 422, ProRes 422 (LT), ProRes 422 (Proxy) and Avid DNxHD. All ProRes and DNxHD recording in 1920x1080 10-bit YUV with choice of Film or Video Dynamic Range.
SDI Video Output
1 x 10-bit HD-SDI 4:2:2 with choice of Film or Video Dynamic Range. When recording is set to 25p or 29.97p with SDI Overlays switched off, the SDI output format is 1080i50 and 1080i59.94 respectively.
Analog Audio Input
2 x 1/4” jacks for professional balanced analog audio, switchable between mic and line levels.
SDI Audio Sampling
48 kHz and 24 bit.
Mac OS X 10.9 Mavericks
Mac OS X 10.10 Yosemite or later.
Windows 7 or Windows 8.
DaVinci Resolve grading software including Resolve USB dongle for Mac OS X and Windows.
Media Express software for video capture from the camera’s Thunderbolt port.
Blackmagic UltraScope software for waveform monitoring from the camera’s Thunderbolt port.
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing