Behringer FX2000 VIRTUALIZER 3D Multi-Engine Effects Processor

The Behringer FX2000 VIRTUALIZER Effects Processor is a multi-engine, multi-effects processor, suitable for use with keyboards, bass, guitars, or vocals.

The single space rack unit features 71 algorithms, including true studio-grade stereo and 3D effects, and employs the company’s RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy.

Effects options include modulation, amplifier simulation, distortion, and special effects, as well as effective dynamic and psychoacoustics processing.

Performance is further enhanced through user-addressable high and low EQ and wave-adaptive Virtual Room reverb algorithms.

General

• 71 new algorithms with true RSM (Real Sound Modeling) stereo and 3D effects
• Wave-adaptive virtual room reverb algorithms for natural reverb and delay
• Multiple modulations, dynamic, psychoacoustic, and EQ algorithms
• Authentic amplifier simulation, distortion, and special effects
• 11 effect combinations with selectable serial / parallel configuration
• Up to 7 adjustable parameters, plus 2-band EQ, per effect
• 24-bit A/D and D/A converters with 64/128x oversampling
• True stereo processing for realistic channel separation in the stereo image
• 100 factory presets plus 100 user memory locations
• Extensive MIDI implementation
• Accurate LED level meters for perfect level setting and optimum performance
• Servo-balanced XLR and 1/4″ TRS inputs and outputs

Effects

Reverbs and Delays

• • Cathedral
  • Gold Plate
  • Small Hall
  • Room
  • Studio
  • Concert
  • Studio
  • Stage
  • Spring reverb
  • Ambiance
  • Early reflections
  • Reverb – reverb is synthetically turned off after a predetermined amount of time
  • Reverse Reverb – reverb envelope is reversed and gets slowly louder

• Delays
  • Stereo Delay – the delay is processed across the entire stereo image
  • Tape Echo – simulates classic tape echo devices, pre-dating the advent of digital delays
  • Ping Pong – delay signal is “bounced” from left to right at an adjustable tempo